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Open a larger version of the following image in a popup: Glimt i Mørke [Glimpses in the Dark]. Teninger fra 1944. Illustration
Open a larger version of the following image in a popup: Glimt i Mørke [Glimpses in the Dark]. Teninger fra 1944. Illustration
Open a larger version of the following image in a popup: Glimt i Mørke [Glimpses in the Dark]. Teninger fra 1944. Illustration
Open a larger version of the following image in a popup: Glimt i Mørke [Glimpses in the Dark]. Teninger fra 1944. Front cover
Open a larger version of the following image in a popup: Glimt i Mørke [Glimpses in the Dark]. Teninger fra 1944. Front free endpaper
Open a larger version of the following image in a popup: Glimt i Mørke [Glimpses in the Dark]. Teninger fra 1944. Title page

Ingeborg Gude

Glimt i Mørke [Glimpses in the Dark]. Teninger fra 1944, 1945
Oslo: H. Aschehoug & Co. (W. Nygaard)
First edition.
146
$ 1,750.00
Ingeborg Gude, Glimt i Mørke [Glimpses in the Dark]. Teninger fra 1944, 1945
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Ingeborg Gude, Glimt i Mørke [Glimpses in the Dark]. Teninger fra 1944, 1945
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Further images

  • (View a larger image of thumbnail 1 ) Glimt i Mørke [Glimpses in the Dark]. Teninger fra 1944. Illustration
  • (View a larger image of thumbnail 2 ) Glimt i Mørke [Glimpses in the Dark]. Teninger fra 1944. Illustration
  • (View a larger image of thumbnail 3 ) Glimt i Mørke [Glimpses in the Dark]. Teninger fra 1944. Illustration
  • (View a larger image of thumbnail 4 ) Glimt i Mørke [Glimpses in the Dark]. Teninger fra 1944. Front cover
  • (View a larger image of thumbnail 5 ) Glimt i Mørke [Glimpses in the Dark]. Teninger fra 1944. Front free endpaper
  • (View a larger image of thumbnail 6 ) Glimt i Mørke [Glimpses in the Dark]. Teninger fra 1944. Title page
Oblong octavo. (48)pp. Each of Gude's 22 illustrations communicates a stridently anti-fascist excoriation of the Nazi regime. Most of her images recast figures as animals, attending to incomprehensible trauma from...
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Oblong octavo. (48)pp. Each of Gude's 22 illustrations communicates a stridently anti-fascist excoriation of the Nazi regime. Most of her images recast figures as animals, attending to incomprehensible trauma from a distance bridged by dark humor. Gude damns Hitler repeatedly, portraying him as a stooge, a grotesque servant of Death, and even as a wasted Don Quixote. The cartoons follow a narrative that arcs from the frightening rise of a fascist military and complicit populace to the humiliation of the Axis powers and eventually a redemptive final image of two anonymous figures looking toward a sunrise. Captions at versos face the recto illustrations. Bound in black and white boards backed in black paper. Edges somewhat rubbed, else near fine. Scarce.
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