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Open a larger version of the following image in a popup: The Family Sequences by Michael S. Harper. Signed title page
Open a larger version of the following image in a popup: The Family Sequences by Michael S. Harper. Illustrated page
Open a larger version of the following image in a popup: The Family Sequences by Michael S. Harper. Text spread
Open a larger version of the following image in a popup: The Family Sequences by Michael S. Harper. Front cover
Open a larger version of the following image in a popup: The Family Sequences by Michael S. Harper. Colophon

Michael S. Harper; Walter Feldman (illus.)

The Family Sequences, 1998
Providence, RI: Ziggurat Press
One of 60 copies, this unnumbered. Signed by Harper and Feldman at the title page.
30
$ 350.00
Michael S. Harper; Walter Feldman (illus.), The Family Sequences, 1998
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Michael S. Harper; Walter Feldman (illus.), The Family Sequences, 1998
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Further images

  • (View a larger image of thumbnail 1 ) The Family Sequences by Michael S. Harper. Signed title page
  • (View a larger image of thumbnail 2 ) The Family Sequences by Michael S. Harper. Illustrated page
  • (View a larger image of thumbnail 3 ) The Family Sequences by Michael S. Harper. Text spread
  • (View a larger image of thumbnail 4 ) The Family Sequences by Michael S. Harper. Front cover
  • (View a larger image of thumbnail 5 ) The Family Sequences by Michael S. Harper. Colophon
Octavo. (11), 60pp. Illustrations by Feldman throughout, three of which are full page. Harper's poetry is, as he states in his Introduction, concerned with poetic expression itself. They are jazz-like...
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Octavo. (11), 60pp. Illustrations by Feldman throughout, three of which are full page. Harper's poetry is, as he states in his Introduction, concerned with poetic expression itself. They are jazz-like in their composition, and so both lyrically and thematically attend to the lived realities of Black American history. These are made substantively plain in the final notes, which cites Harper's references to Rhode Island's problematic naming as "Providence Plantations" by Roger Williams, and to Henrietta Bowers, the first black female undertaker in the U.S. and a conductor on the underground railroad. Bound in quarter black cloth with exposed leather bands with black paper over boards. Fine.
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